Blog:Top 10 Best/Worst Movies of the 2019 (Greatest Movies Wiki Version)



Well, it had good movies, for the time, it can enjoyable for the once, lets get this board.

Now time for top 10 best movies of 2019, we are count down for 5 seconds.

Shazam! and Spider-Man: Far From Home








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As Shazam!, the film had originally title Captain Marvel, but they renamed Shazam!, it has a funny moments, awesome score by Benjamin Wallfisch, very likable characters, great visuals effect, awesome final battle and is considered best DCEU movies at all. I can't to see sequel for 2022.

And as Spider-Man: Far From Home, TBA

mh:awfulmovies:Ad Astra and Knives Out












As Ad Astra, even through audiences didn't like this film, I honestly love this film, in fact they got Brad Pitt, which is great performance, good visuals effect, wonderful score of Max Richter and even Lorne Balfe, great directions of James Gray, that is all.

And as Knives Out, It is the perfectly murder mystery movie that has likable characters, great musical score by Nathan Johnson, well-done performance, awesome directions of Rian Johnson, and amazing cinematography, I just can't wait to see sequel.

1917 and Zombieland: Double Tap












As 1917, the film had very intanse action scenes, wonderful score of Thomas Newman, very great voice performance, and awesome cinematography, it is not only the best war movie, but Dunkirk and Saving Private Ryan are also the best war movie.

And as Zombieland: Double Tap, -to be continued-

Rocketman and Ford v Ferrari












As Rocketman, it's almost very faithful to the amazingly talented Elton John from his childhood to his rehab years. Plus, compared to certain other biopics, not too much is fabricated or just plain left out. A totally rich soundtrack that has astounding songs like 'I'm Still Standing', 'Saturday Night (Alright for Fighting)' and 'Goodbye Yellow Brick Road'. The film ends with a thorough recreation of the 'I'm Still Standing' music video. Beautifully creative costume designs by wonderful costume designer, Julian Day, which are almost accurate to the original costumes. The score by Matthew Margeson is surprisingly well done, incorporating Elton's songs into the orchestrating with a grand scale.

It's the first film by a major film studio to include a gay male sex scene, although some countries blocked the scene from showing it in theaters, later including it back in for the disc releases at least (4K Ultra HD, Blu-ray, and DVD). The performances from the cast are quite good, but it's Taron Egerton who gives the performance of his life. He absolutely shines in the role of Elton, to the point where some can debate if he even looks the part. Many of the songs from the film are remastered and remade by Egerton's dazzling voice, it didn't even affect the lyrics, even if some of the lyrics are changed or switched around.

And as Ford v Ferrari, stellar acting performances from the whole cast, particularly from the two leads, Matt Damon and Christian Bale. While the racing itself isn't necessarily the main focus of the film, the racing sequences are shot brilliantly with some top-notch cinematography. CGI is used to make the Circuit de la Sarthe look more period-accurate for 1966, but one would not even notice it. The film is incredibly faithful to the event upon which it is based; it feels like a modern telling of a historical event, even getting many minor details right, including the GT40's reliability issues when it debuted, and Shelby's reason for retiring early. Damon and Bale have great on-screen chemistry, allowing their characters to be fleshed out quite nicely. There are a handful of funny scenes here and there; most notably, the street fight between Shelby and Miles.

The characters are all believable, thanks to the strong performances. In particular, Enzo Ferrari is portrayed as the sympathetic leader compared to the company meddling in their own team's affairs. Because of their chemistry, Damon & Bale's characters are a formidable duo, as their racing backgrounds allow them to iron out mechanical shortcomings that may hamper their performance. Even if the two butt heads now and then, they have each other's backs. Visually, the film is a beauty to look at, with many bright colors and vivid lighting, thanks to Phedon Papamichael's cinematography, and James Mangold's directing. The racing sequences can be rather gripping at times, often leaving the viewer on the edge of their seats.

The film stays clear of injecting politics into the script, clearly prioritizing story over agenda. Aside from a few licensed tracks, Marco Beltrami & Buck Sanders' score is pretty good also. The central conflict between Shelby & Miles and the Ford higher-ups can be just as involving as the racing itself. The theme of executive meddling is what takes the center stage, with higher-ups at Ford taking every opportunity to sabotage the protagonists, making way for some good storytelling. There is a fine balance of drama on and off the track, with one never overshadowing the other, so it can appeal to racing fans and non-racing fans alike.

It Chapter Two and Us








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As It Chapter Two, -to be continued-

And as Us, -to be continued-

How to Train Your Dragon: The Hidden World




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-to be continued-

Joker




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-to be continued-

John Wick: Chapter 3 – Parabellum




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-to be continued-

Avengers: Endgame




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-to be continued-

The Lego Movie 2: The Second Part




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-to be continued-

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